Talks

Lorna Simpson

Two framed black and white pictures. The one on the left features a portrait with the person's back turned toward the viewer; the right image is of the back of a wooden mask. A small plaque appears under the frames.

Lorna Simpson, Flipside, 1991. Gelatin silver prints and Plexiglas plaque, edition 3 of 3; installed: 51 1/4 x 69 3/4 in. (130.2 x 177.2 cm). Collection Museum of Contemporary Art Chicago, gift from The Howard and Donna Stone Collection, 2002.62.a–c. © 1991 Lorna Simpson.

Photo © MCA Chicago

Renowned for photographs, videos and text-works that challenge narrow, conventional views of gender, identity, culture, history, and memory, Lorna Simpson discusses her process and her most recent work, placing it in context within the larger span of her practice. Over the last five years, Simpson has been creating works that draw from an archive of photographs from the 1950s, complicating the historical images by creating her own replicas of these, posing herself to mimic the originals. The MCA organized Lorna Simpson’s first traveling museum exhibition in 1992, and most recently featured early works by the artists in the exhibition Rewind 1970s to 1990s: Works from the MCA Collection. Her work is included in the upcoming 2012 MCA exhibition This Will Have Been: Art, Love, and Politics in the 1980s.

Exclusive Emerge Reception to follow

Related Exhibitions

Related Content

Funding

This program is made possible in part by Emerge, a donor affinity group that supports the education, exhibition, and acquisition programs of the MCA.