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The following link updates periodically to surface new messages from the MCA.
Closed today
Upcoming events
- In Progress: Perfect Worlds/Propositional Attitudes–
- Long A pair of light-skinned hands jut into the frame from the bottom-right and -left sides to showcase a paperback book against a dark background. The book is open to pages 46 and 47, which feature the start of an essay by Udita Upadhyaya titled "Guidelines for Collapse and Care."
- Ishmael Houston-Jones, Ralph Lemon, and Bebe Miller
Relations- Long An African-American woman in middle age pivots on her left leg, raising her right knee and ducking her head. Her arms extend slightly to the sides, her long dreadlocks swinging behind her as she turns. She wears a black sleeveless shirt and dark grey trousers. She almost appears to be floating in a featureless white space, as her feet are cropped out of frame.
- Ishmael Houston-Jones, Ralph Lemon, and Bebe Miller
Relations- Long An African-American woman in middle age pivots on her left leg, raising her right knee and ducking her head. Her arms extend slightly to the sides, her long dreadlocks swinging behind her as she turns. She wears a black sleeveless shirt and dark grey trousers. She almost appears to be floating in a featureless white space, as her feet are cropped out of frame.
Upcoming Programs and Events
- In Progress: Perfect Worlds/Propositional Attitudes–
- Long A pair of light-skinned hands jut into the frame from the bottom-right and -left sides to showcase a paperback book against a dark background. The book is open to pages 46 and 47, which feature the start of an essay by Udita Upadhyaya titled "Guidelines for Collapse and Care."
- Ishmael Houston-Jones, Ralph Lemon, and Bebe Miller
Relations–- Long An African-American woman in middle age pivots on her left leg, raising her right knee and ducking her head. Her arms extend slightly to the sides, her long dreadlocks swinging behind her as she turns. She wears a black sleeveless shirt and dark grey trousers. She almost appears to be floating in a featureless white space, as her feet are cropped out of frame.
