Editorial

Best of 2018: The Year in Review

by Abraham Ritchie

Kerry James Marshall, 7 am Sunday Morning, 2003. Acrylic on canvas banner; 120 x 216 in. (304.8 x 548.6 cm). Collection Museum of Contemporary Art Chicago, Joseph and Jory Shapiro Fund by exchange, 2003.16.

Photo: Michal Raz-Russo © MCA Chicago

The time of the year-end list is here. These collections are frequently a symbol and reminder of not only the work done the past year, but also years prior. At the MCA, the end of 2018 also reminded us of the months—if not years—of effort that went into our many diverse offerings.

Notably, artist Kerry James Marshall and his major survey Mastry continued to make “best of” lists in 2018, despite the fact that the exhibition closed at LA MOCA in 2017. Powerful storytelling continued on the MCA Stage this year with Dorothée Munyaneza’s choreographic work Unwanted. “Some shows stay with you long after the curtain falls,” remarked critic Lauren Warnecke in her roundup of the “Best in Chicago dance in 2018” for the Chicago Tribune. The virtual reality–based artwork Transdimensional Serpent by Jon Rafman, on view this past year in I Was Raised on the Internet, represents the spirit of 2018 according to Metropolis Magazine‘s “The Year in Exhibitions”.

Read below for more acknowledgements of artists featured at the MCA, notable exhibitions, and delicious dining experiences.

Okwui Okpokwasili, Poor People's TV Room

ARTISTS AND EXHIBITIONS

Exterior of the MCA
Marinated zucchini with blackberry, thyme crème fraîche, and summer flowers

Each of us experiences art differently—what was your most memorable experience at the MCA this past year? Tweet it to us: @mcachicago.