Chicago Works

Description

These exhibitions feature Chicago artists—both up-and-coming and established—who are shaping the local contemporary art scene.

Current exhibitions

  • A photograph of a light-colored rock formation shows a cross-section of sediment lines.
    Chicago Works:
    Assaf Evron
    1. Long A photographic print of a desert scene features a rock formation against a blue sky on a sun-filled day. The formation is made up of layers of sediment colored in a range of cream, sand, tan, and umber. The sun rakes across the surface to reveal the texture of the rock and creates long shadows. The central sediment lines are squiggly, winding horizontally across the surface of the rock. Dark crevices appear at the base of the formation and small, dried-up vegetation grows sporadically across the rocky ground. It appears as though it could dried-up riverbed.
  • A scene created out of pieces of carpet portrays a person taking a picture of a portrait in a gallery with a smartphone.
    Chicago Works:
    Jessica Campbell
    1. Long A person wearing what appears to be a Chicago Cubs jersey, khaki cargo shorts, and grey new balance tennis shoes with white ankle socks is taking a picture with a smartphone of an abstract portrait of President Lincoln with a yellow triangle nose against a salmon pink background flecked with blue triangles. This scene is entirely rendered in plush carpet that lacks detail creating a cartoon-like visual style. The person is standing facing to the right facing the portrait on a white wall. Part of another artwork appears at the left edge of the image in the background, giving the impression of a gallery space. He stands on floorboards of varying shades of brown that extend to the back wall of the space.
  • A vertical painting portrays a close-up view of a light blue, satiny fabric.
    Chicago Works:
    Mika Horibuchi
  • Five glowing white orbs seem to float above branches against a deep blue background.
    Chicago Works:
    Paul Heyer
    1. Long In this vertical painting, the background consists of a rich, saturated blue mottled with areas of both lighter and darker blue. Extending vertically across the background are three thin, dark brown branches. From these branches sprout small leaves of various reds, blues, pinks, and purples. The branches also bear three ghostly, translucent apples distinguished from the background only by white outlines. The most dominant element of the painting are five large white orbs, each with a faintly translucent white glow. Three of the orbs are aligned vertically on the left half of the painting, while the other two are arranged vertically starting at the upper-right hand corner. This leaves the background of the bottom right corner fully exposed.
    2. Long In this vertical painting, the background consists of a rich, saturated blue mottled with areas of both lighter and darker blue. Extending vertically across the background are three thin, dark brown branches. From these branches sprout small leaves of various reds, blues, pinks, and purples. The branches also bear three ghostly, translucent apples distinguished from the background only by white outlines. The most dominant element of the painting are five large white orbs, each with a faintly translucent white glow. Three of the orbs are aligned vertically on the left half of the painting, while the other two are arranged vertically starting at the upper-right hand corner. This leaves the background of the bottom right corner fully exposed.
    3. Long In this vertical painting, the background consists of a rich, saturated blue mottled with areas of both lighter and darker blue. Extending vertically across the background are three thin, dark brown branches. From these branches sprout small leaves of various reds, blues, pinks, and purples. The branches also bear three ghostly, translucent apples distinguished from the background only by white outlines. The most dominant element of the painting are five large white orbs, each with a faintly translucent white glow. Three of the orbs are aligned vertically on the left half of the painting, while the other two are arranged vertically starting at the upper-right hand corner. This leaves the background of the bottom right corner fully exposed.
    4. Long In this vertical painting, the background consists of a rich, saturated blue mottled with areas of both lighter and darker blue. Extending vertically across the background are three thin, dark brown branches. From these branches sprout small leaves of various reds, blues, pinks, and purples. The branches also bear three ghostly, translucent apples distinguished from the background only by white outlines. The most dominant element of the painting are five large white orbs, each with a faintly translucent white glow. Three of the orbs are aligned vertically on the left half of the painting, while the other two are arranged vertically starting at the upper-right hand corner. This leaves the background of the bottom right corner fully exposed.
    5. Long In this vertical painting, the background consists of a rich, saturated blue mottled with areas of both lighter and darker blue. Extending vertically across the background are three thin, dark brown branches. From these branches sprout small leaves of various reds, blues, pinks, and purples. The branches also bear three ghostly, translucent apples distinguished from the background only by white outlines. The most dominant element of the painting are five large white orbs, each with a faintly translucent white glow. Three of the orbs are aligned vertically on the left half of the painting, while the other two are arranged vertically starting at the upper-right hand corner. This leaves the background of the bottom right corner fully exposed.
  • A bright red-orange house is boarded up, standing next to an empty urban lot during sunset.
    Chicago Works:
    Amanda Williams
    1. Long A view of a house from the street at early sunset shows green grass, vacant lots, bushes, and tress. The house's windows are boarded up, and the house appears to be vacant. The entire house—except for the soffit, which is black, and parts of the upper facade, which are white—is painted a vibrant shade of red-orange.
  • A yellow banana rests on top of a column made up of three silver paint cans and two bags of ice. 
The bags of ice are sandwiched in between the paint cans.
    Chicago Works:
    Chris Bradley
  • Just right of center, an organic round shape in a hazy light gray seems to emerge from a jet black background. It hovers around or behind a bright white spot at its center.
    BMO Harris Bank Chicago Works:
    Andrew Yang
  • An illustration of a black column with a letter form covered in patterns spelling "Hi" protruding from the top
    BMO Harris Bank Chicago Works:
    Ania Jaworska