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David Bowie Is

Images

Album cover shoot for Aladdin Sane, 1973. Design: Brian Duffy and Celia Philo; make up: Pierre La Roche

Photo: Duffy, Brian Duffy © Duffy Archive & The David Bowie Archive

Installation view, David Bowie Is, MCA Chicago, Sep 23, 2014–Jan 4, 2015

Photo: Nathan Keay, © MCA Chicago
© MCA Chicago

Installation view, David Bowie Is, MCA Chicago, Sep 23, 2014–Jan 4, 2015

Photo: Nathan Keay, © MCA Chicago
A photograph of David Bowie with pale skin and bright red hair wearing a wide-leg black jumpsuit with white stripes in front of a red background.

Striped bodysuit for Aladdin Sane tour, 1973. Design: Kansai Yamamoto

Photo: Masayoshi Sukita, © Sukita/The David Bowie Archive 2012

Original photography for the Earthling album cover, 1997. Union Jack coat design: Alexander McQueen in collaboration with David Bowie

Photo: Frank W Ockenfels 3, © Frank W Ockenfels 3

The Archer, Station to Station tour, 1976

Photo: John Rowlands, © John Robert Rowlands

David Bowie during the filming of the Ashes to Ashes video, 1980

Photo: Photo Duffy, Brian Duffy © Duffy Archive & The David Bowie Archive

Quilted two-piece suit, 1972. Designed by Freddie Burretti for the Ziggy Stardust tour

Photo: © Victoria and Albert Museum, London Courtesy of the David Bowie Archive

Photo collage of manipulated film stills from The Man Who Fell to Earth, c. 1975–76. Design: David Bowie; film stills: David James.

Photo: © V&A Images Courtesy of The David Bowie Archive 2012, Film stills © STUDIOCANAL Films Ltd.

Promotional photograph of David Bowie for Diamond Dogs, 1974

Photo: Terry O'Neill, © Victoria and Albert Museum, London

David Bowie, 1973

Photo: Masayoshi Sukita © Sukita/The David Bowie Archive

David Bowie, Original lyrics for Ziggy Stardust, 1972. Courtesy of the David Bowie Archive

Photo © Victoria and Albert Museum, London
Red, chunky, high-top platform boots stand erect in a white room.

Red platform boots for the 1973 Aladdin Sane tour. Courtesy of the David Bowie Archive

Photo © Victoria and Albert Museum, London

Original storyboards by David Bowie for the Ashes to Ashes video, 1980. Courtesy of the David Bowie Archive

Photo © Victoria and Albert Museum, London

David Bowie and William Burroughs, 1974. Photographer: Terry O'Neill; hand coloring: David Bowie. Courtesy of the David Bowie Archive 2012

Photo © V&A Images

Promotional shoot for The Kon-rads, 1966. Courtesy of The David Bowie Archive 2012

Photo: Roy Ainsworth, © V&A Images

About the Exhibition

David Bowie Is presents the first retrospective of the extraordinary career of David Bowie—one of the most pioneering and influential performers of our time. More than 400 objects, most from the David Bowie Archive—including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material from the past five decades—are brought together for the first time.

Bowie's work has both influenced and been influenced by wider movements in art, design, theater, and contemporary culture, and the exhibition subsequently focuses on his creative processes, shifting style, and collaborative work with diverse designers in the fields of fashion, sound, graphics, theater, and film. Multimedia installations incorporating advanced sound technology produced by Sennheiser, original animations, continuous audio accompaniment, and video installations immerse visitors in the sights and sounds of Bowie's artistic life. David Bowie Is was organized by the Victoria and Albert Museum, London, and has embarked on an international tour with the Museum of Contemporary Art Chicago as the only US venue.

Organized chronologically, David Bowie Is traces the artist's evolution from his years as a teenager in the 1950s to the early 2000s when he retired from touring. Before the surprise release of the 2013 album The Next Day, Bowie had not released an album since Reality in 2003. On display are more than sixty stage costumes including the Ziggy Stardust bodysuits (1972), designed by Freddie Burretti; Kansai Yamamoto's flamboyant creations for the Aladdin Sane tour (1973) and the Union Jack coat designed by Bowie and Alexander McQueen for the Earthling album cover (1997). Bowie's many personae are amply documented through photography, graphic designs, models of concert sets, visual excerpts from films, and live performances, including his starring role in Nicolas Roeg's The Man Who Fell to Earth (1976) and his appearance on Saturday Night Live (1979), as well as music videos for songs such as “Boys Keep Swinging” (1979) and “Let's Dance” (1983). Alongside such prominent examples are more personal items such as never-before-seen storyboards, handwritten set lists and lyrics, and some of Bowie's own sketches, musical scores, and diary entries, which help reveal the evolution of his creative ideas. His chameleonic character transformations throughout the years are central to his contribution to contemporary culture and highly relevant to contemporary artists such as Cindy Sherman, Wu Tsang, Janelle Monae, and Lady Gaga.

The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum curators Victoria Broackes and Geoffrey Marsh, which includes contributions from leading experts in musicology and cultural history and benefits from its reliance on and full access to the David Bowie Archive.

This exhibition is overseen in Chicago by Michael Darling, James W. Alsdorf Chief Curator at the Museum of Contemporary Art Chicago.