Live Arts | Chicago Performs

The Poor Farm, A P(o)or(t)ch Theater (MIDWEST REDUX)

A stereograph depicting people in a park setting in late afternoon. One person sits on a bench, their back to the viewer, while another person stands near a similar bench with a bandana over their head.

Leopold Benches: Michelle Grabner and Brad Killam; Costume: Kristin Mariani; Performers: Judd Morrissey and Mark Jeffery

Photo: Kelly Kaczynski

A P(o)or(t)ch Theater blends the retro technology of stereoscopic photography with live performance-based image-making and explores the porch as an emblem of generosity and social porousness at a moment of increasing isolation and division. Inspired by the writings of 20th-century conservationist Aldo Leopold, the work centers on a pair of benches designed to support attentive observation of the natural world. With a set of 12 original stereoscopic photographs guiding a two-hour score, the performance investigates how slight differences in perception can produce either heightened depth or clashing understandings of reality.

A stereograph depicting two people with green bandanas covering their heads. One person is standing next to a canoe holding a piece of wood. The other is sitting on a bench in the background. The setting is a yard near an abandoned building during the day.
Leopold Benches: Michelle Grabner and Brad Killam; Costume: Kristin Mariani; Performers: Judd Morrissey and Mark Jeffery Photo: Kelly Kaczynski
Leopold Benches: Michelle Grabner and Brad Killam; Costume: Kristin Mariani; Performers: Judd Morrissey and Mark Jeffery Photo: Kelly Kaczynski

About the Collective

The Poor Farm Experiment is a resident-led artist collective and alternative exhibition space founded in 2008 by Michelle Grabner and Brad Killam in Manawa, Wisconsin. Housed in a historic 19th-century county poor farm, the project functions as a platform for year-round exhibitions and since 2019 a residency project, through invitation of Michelle and Brad titled Poor Farm Living in the Play, codirected by Kelly Kaczynski and Mark Jeffery. Since 2022, Poor Farm Experiment and Living in the Play has hosted a sister residency program titled nido in Monte Castillo Di Vibio, a 15th-century hilltop village in Umbria, Italy. Initiated by Michelle and Brad in its first year and continued with Kelly and Mark, since 2023, this August marks the 5th nido residency.

In late spring of 2025, The Poor Farm Collective was invited to develop and present a new performance and installation at the 19th International Architecture Exhibition at the USA Pavilion at the Venice Biennale, under the themes of hospitality and generosity. Working at the intersection of performance, sculpture, language, Wisconsin vernacular architecture, photography, costume, image making choreography, writing, and song, The Poor Farm Collective activated and embodied the built porch environment through the rural lens of being of and in situ of Manawa, Wisconsin, and Calle Giazzo, 30122 Venezia. Their collaborative work for the Biennale, Leopold Benches: A P(o)or(t)ch Theater, interfaced directly with architectural structures fabricated by Grabner and Killam and costumes by Mariani. Through this three-day durational performance-installation, the collective investigated the porch as a site of civic generosity, community gathering, chit-chatting, and hospitality. Now, in 2026, Calle Giazzo, 30122 Venezia, is replaced for Chicago Performs at the Museum of Contemporary Art and the plaza on Mies Van Der Rohe Way.

About the Artists

  • Michelle Grabner is a 2021 Guggenheim Fellow and a National Academician in the National Academy of Design. She is an artist, curator, and critic who contributes regularly to Artforum. With her husband, artist Brad Killam, she directs the artist-run exhibition spaces and residency: The Suburban (est. 1999) and The Poor Farm (est. 2008). Grabner cocurated the 2014 Whitney Biennial and was the Artistic Director for the inaugural 2018 FRONT International: Cleveland Triennial.

    Brad Killam has exhibited work in the United States and Europe since the early 1990s. He cofounded and currently codirects the artist-run spaces The Suburban and Poor Farm Exhibitions and Press. He received his MFA from the University of Illinois Chicago and is an Associate Professor of Art at College of DuPage.

    Mark Jeffery is a performance artist, choreographer, and curator. He is a Full Professor in Performance at The School of the Art Institute of Chicago (SAIC). A former member of the Goat Island Performance Group, he cofounded the Anatomical Theatres of Mixed Reality in 2012. Since 2019, he has codirected the Living in the Play Residency at The Poor Farm.

    Kelly Kaczynski is an interdisciplinary artist, writer, and curator working in the language of sculpture. Kaczynski is Professor, Adjunct at SAIC. Since 2019, she has codirected the Living in the Play Residency at The Poor Farm and, since 2022, the NIDO Residency in Monte Castello di Vibio, Italy.

    Judd Morrissey is a writer and code artist creating poetic systems across electronic writing, internet art, and augmented reality. He is a recipient of an Andy Warhol Foundation Arts Writers Grant and a Fulbright Scholar’s Award. He is a Full Professor in Art and Technology / Sound Practices at SAIC.

    Kristin Mariani’s practice is an ongoing conversation between art and design. Through the craft of making clothes, she probes the historical and material underpinnings of labor. Her “Text Toiles” for this project address intimacy and language, questioning how gender is figured through fashion and place.

    James Sommerfeldt is a Chicago-based footwear design innovator and Cordwainer. His approach examines footwear as functional sculptural objects. His work has appeared at the MCA and the Guggenheim Museum Store. He is currently a lecturer of footwear design at SAIC.

    The Poor Farm is a not-for-profit art experiment and residency founded in 2008 at the former Waupaca County Poor Farm (built 1876) in Little Wolf, Wisconsin. Along with The Suburban, it serves as a critical site for supporting artists and experimental ideas. More information can be found at poorfarmexperiment.org.

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Funding

Chicago Performs is supported by the New Works Initiative, which puts the creative process at the heart of the MCA’s relationship with Chicago by supporting the development of new performances and creative projects. Lead support for the New Works Initiative is provided by Elizabeth A. Liebman.

Lead support for the 2026–27 season of MCA Performance is provided by Elizabeth A. Liebman.

Generous support is provided by Anne L. Kaplan; and Carol Prins and John Hart/The Jessica Fund.

The MCA is a proud member of the Museums in the Park and receives major support from the Chicago Park District.