Live Arts | Slow Dance

Opening Day Performances

  • September 12, 2026 | 10 am–5 pm

Free with admission

Six individuals stand in a large, minimalist room with concrete walls and a light-colored floor. Most wear form-fitting tops and bottoms, while one wears a white top and dark skirt. Two ropes hang from the ceiling, and a white rectangular frame, two black poles, and a circular mat are on the floor.

Brendan Fernandes, Inaction, 2019. Performance view, Ezra and Cecile Zilkha Gallery at Wesleyan University, Oct 2–Dec 8, 2019. Courtesy of the artist, Ezra and Cecile Zilkha Gallery, Monique Meloche Gallery and Susan Inglett Gallery.

Photo: John Groo, courtesy of Ezra and Cecile Zilkha Gallery

Celebrate the opening of the exhibition Slow Dance with a full day of live performances by Brendan Fernandes, Gordon Hall, Geumhyung Jeong, Melanie McLain, and Cally Spooner.

About the Performances

  • Brendan Fernandes (b. 1979, Nairobi, Kenya; lives in Chicago, IL)
    Inaction, 2019

    With Inaction, Brendan Fernandes considers how we learn to move—both physically and politically—through the built environment. Exploring how we act, what enables action, and what hinders it, dancers explore different forms of assembly and disassembly, joining hands in a circle, triumphantly climbing a sculpture, or separating to stand in static tableaux.

    Performed by: Laura Baumeister, Hanna DiLorenzo, Nick Kearns, kara Hunsinger, Xenia Mansour Muñiz, and “Ash” Malachi Stevens

  • Gordon Hall (b. 1983, Boston, MA; lives in Marlboro, NY)
    Hands and Knees, 2025

    In Hands and Knees, Gordon Hall upends the function of a familiar object of waiting: the chair. During live performances, reclining bodies are carried through the gallery on gurney-like sculptures that are placed to rest atop pairs of chairs.

    Performed by: Maud Grauer, Jamillia Greene, Steven Hou, Michael Orr, Jessica Taylor, Tina Wang, and Jean Wildest

  • Geumhyung Jeong (b. 1980, Seoul, South Korea; lives in Seoul)
    Making Show, 2021

    Geumhyung Jeong presents an in-gallery performance of Making Show, in which the artist attempts to recreate an existing robot in front of a live audience. Much like a cooking show, certain steps are prepared in advance, conveying a sense of efficiency and polish that belies the messier and clumsier labor involved in producing the work.

  • Melanie McLain (b. 1982, Tallahassee, FL; lives in Mexico City, Mexico)
    Peripersonal, 2020

    Taking its title from a term used in neuroscience, Peripersonal refers to the zone of space immediately surrounding one’s body. In performances, wall-like partitions separate two dancers who improvise their movements in response to one another and to the limits imposed by the surrounding structure.

    Performed by: Kara Brody, Hanna DiLorenzo, Erin Kilmurray, and Amanda Maraist

  • Cally Spooner (b. 1983, Ascot, UK; lives in Turin, Italy)
    Warm Up, 2016

    In Warm Up, a dancer stretches and prepares for a performance that never takes place. Suspended in a state of continuous rehearsal, the work captures the incessant need to always be ready.

    Performed by: Rex Delafkaran and Tina Wang

Related Exhibition

Funding

Lead support for Slow Dance is provided by the Harris Family Foundation in memory of Bette and Neison Harris, the Zell Family Foundation, Cari and Michael Sacks, and R. H. Defares.

Major support is provided by Laura and Tony Davis and Linden Capital Partners, Robin Loewenberg Tebbe and Mark Tebbe, and Charlotte R. Cramer Wagner and Herbert S. Wagner III of Wagner Foundation.

Generous support is provided by the Margot and W. George Greig Ascendant Artist Fund.

This exhibition is supported by the MCA’s Women Artists Initiative, a philanthropic commitment to further equity across gender lines and promote the work and ideas of women artists.