Performance | On Stage

Barak adé Soleil, SHIFT

A Brown-skinned large-bodied black person with shaved head & beard, wearing glasses, black shirt and grey jeans, with one hand on a rail and the other holding a wheelchair, seemingly floating above a set of stairs.

Performance view, Barak adé Soleil, a series of movements, Claremont, California. Photo: Marcus Polk.

On May 6, Barak adé Soleil premieres a new work, SHIFT, that amplifies the presence of Black neurodiverse and disabled bodies by occupying the museum’s spaces both digitally and physically.

SHIFT is a new commission comprised of a video installation in one of the MCA’s public stairwells, accompanied by a live event. In the dreamlike video installation that runs from May 6 through July 9, the presence of Black neurodiverse and disabled bodies infiltrates a spiral stairwell within the museum, where they are shown from many angles and at multiple scales, both at rest and as they shift. adé Soleil’s installation offers rest, and the everyday gestures of these bodies, as forms of political resistance for Black people—challenging the media’s often violent interpretation of these bodies as lazy or near death. In the live event on May 6, a promenade of disability community members traverse inaccessible staircases, recalibrating the flow of activity within the museum and challenging simplistic depictions of Black disabled bodies in real time. The promenade is durational and moves through different areas of the museum, including the MCA Plaza and front steps, the northwest spiral staircase, and both public lobbies.

Frictions is organized by Tara Aisha Willis, Curator in Performance, with Laura Paige Kyber, Curatorial Associate in Performance.

On the landing of a staircase, a brown-skinned large-bodied black person lies on a marble floor next to a manual wheelchair that is turned on its side. In the background is a automated bank machine and a diverse group of people in various positions. Some are looking intently at the person, others are talking with each other.
Performance view, Barak adé Soleil, #IamChair (public intervention), Lasala Rossa, Montreal, Canada. Photo: Laura Bluer
A brown-skinned large-bodied Black person is immersed in dead branches, wearing softly grey pants, white shoes and shirt, their clothed body seems to disappear into the white background.
Performance view, Barak adé Soleil, StepN2 This Room (installation). Rauschenberg Center, Captiva, Florida. Photo: Senga Ngundi

About the Artist

Barak adé Soleil (he, they) has been part of the contemporary art scene since 1991. A progressive artist whose work speaks to the expanse of blackness as it intersects with disability, neurodiversity, and queerness, adé Soleil moves fluidly between creating, curating and supporting performance and visual art. Adé Soleil is the founder of D UNDERBELLY, an interdisciplinary network of artists of color, and recipient of the prestigious Katherine Dunham Choreography Award given by New York’s AUDELCO for Excellence in Black Theatre. Other acknowledgements for creative work include a 3Arts Foundation Award (2016); a 3Arts Robert Rauschenberg Residency Fellowship (2017); and Art Matters Foundation Award (2017 and 2020). Presentations include from here to there for the 2018 exhibition Chicago Disability Activism, Arts, and Design: 1970s to Today at Gallery 400 at the University of Illinois Chicago and a series of movements for both the 2018 7a*11d International Festival of Performance Art, Toronto, and VAE Raleigh’s Everyday series at Contemporary Art Museum of Raleigh, North Carolina. At 205 Hudson Street Gallery, New York, the work markings premiered as part of the 2019 group exhibition Refiguring The Future. Internationally, adé Soleil has served as inaugural faculty for the 2021 Wildseed Centre for Arts & Activism Fellowship in Toronto, developed creative communal work at Montréal Arts Interculturels, cocurated The TALK for the Prismatic Arts Festival in Ottawa, and presented at the UK symposium New Possibilities for Performance in Birmingham, UK. Currently, adé Soleil is the inaugural Embodied Thinker-in-Residence for Candoco Dance Company in London, and mentors for the PEERS exchange program through Zurich University of the Arts.

Close up of the tented hands of a person with dark brown skin, their nails painted robin's egg blue, held in front of a beaded necklace and a black shirt. White text at the top of the image reads Barak ade Soleil

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Funding

This engagement is supported by the Arts Midwest GIG Fund, a program of Arts Midwest that is funded by the National Endowment for the Arts, with additional contributions from the Illinois Arts Council Agency.

Lead support for the 2022–23 season of MCA Performance and Public Programs is provided by Elizabeth A. Liebman.

Major support is provided by the Alphawood Foundation and by Julie and Larry Bernstein.

Generous support is provided by Lois and Steve Eisen and The Eisen Family Foundation; Ginger Farley and Bob Shapiro, Martha Struthers Farley and Donald C. Farley, Jr. Family Foundation; N.A., Trustee; Susan Manning and Doug Doetsch; and Carol Prins and John Hart/The Jessica Fund.

The MCA is a proud member of the Museums in the Park and receives major support from the Chicago Park District.