Editorial

The Stickup

by Susan Weininger

A framed painting of a man and a woman on a beach with a lighthouse in the background. The man is masked and points a gun at the woman who holds her hands up in surrender.

Gertrude Abercrombie, The Courtship, 1949. Oil on Masonite; framed: 28 × 31 3/4 in. (71.1 × 80.6 cm). Gift of the Gertrude Abercrombie Trust.

Gertrude Abercrombie’s second husband Frank Sandiford was a cat burglar. In The Courtship, painted the year after the couple married, the artist depicted him in a mask, as if he were robbing her. “I was the last thing he ever stole,” Abercrombie told her daughter Dinah (from her first marriage to Robert Livingston).

Abercrombie rarely painted men, although Abraham Lincoln made occasional appearances in her paintings. The Courtship includes many elements that the artist frequently used in her work: the moon, owls, shells, and lighthouses were common symbols, and she often included self-portraits. It is also rendered in her signature airless, austere style and carefully controlled palette—the red cloud matches her dress. The resulting work creates a mood that resembles more of a surrender than a wooing. She was crazy about Frank at first, and supported him, but later became disappointed in the relationship, and the couple divorced in 1966.

About the Author

Susan Weininger is professor emerita of art history at Roosevelt University, Chicago. She selected this artwork as our April 2016 featured work.