Editorial
Art-Forward Costumes
With the window for trick-or-treating rapidly approaching, we thought we’d help out any procrastinators looking for a costume. And since our gallery guards and Visitor Service Associates spend a lot of time getting to know the works on view, we asked a few of them what artwork from the collection they would want to make into a costume. Their inspirations, which are shown in the video, varied wildly; each selection is also listed below. To find your own art-inspired costume, view our entire collection online.

Jeff Koons, Rabbit, 1986. Stainless steel; 41 x 19 x 12 in. (104.1 x 48.3 x 30.5 cm). Collection Museum of Contemporary Art Chicago, partial gift of Stefan T. Edlis and H. Gael Neeson, 2000.21. © 1986 Jeff Koons. Photo: Nathan Keay © MCA Chicago
Jeff Koons, Rabbit, 1986. Stainless steel; 41 x 19 x 12 in. (104.1 x 48.3 x 30.5 cm). Collection Museum of Contemporary Art Chicago, partial gift of Stefan T. Edlis and H. Gael Neeson, 2000.21. © 1986 Jeff Koons. Photo: Nathan Keay © MCA Chicago
It’s one of the most interesting works in the exhibition.
—CHARLES, SECURITY
What you’ll need:
- Garbage bags
- Rabbit ears
- Silver spray paint
Directions:
- Lay garbage bags and rabbit ears on newspapers in a well-ventilated space
- Spray paint garbage bags and ears
- Let dry
- Tie garbage bags around arms, legs, and body
- Inflate; good ‘ol oxygen from those healthy lungs should do
- Put on ears


Conceived as a half-and-half costume, Lifeboat Water Falls combines the net form of the Neto with the lifeboat—two water-themed artworks.
—MISTEAD, VISITOR SERVICES

Alexander Calder, Little Face, c. 1943. Collection Museum of Contemporary Art Chicago, gift of the Leonard and Ruth Horwich Family Foundation, 2019.12. © 2022 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Nathan Keay, © MCA Chicago
Alexander Calder, Little Face, c. 1943. Collection Museum of Contemporary Art Chicago, gift of the Leonard and Ruth Horwich Family Foundation, 2019.12. © 2022 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Nathan Keay, © MCA Chicago
What you’ll need:
- Plastic box
- Blue and red paint
- Bottle caps glasses
- Cardboard
Directions:
- Make a plastic box to use as frame around your face
- Paint your nose blue and your lips bright red
- Make/buy bottle-cap glasses
- Use the cardboard to make a “Blow Me” sign—a hint at Calder’s desire for his sculptures to move
—BRIAN, SECURITY

The simplest things can speak so clearly & delight us at the same time! Little Face by Alexander #Calder, 1943, at @mcachicago #art #museum
—BETH SINGER (@bsingerdesign)

Marisol (Marisol Escobar), Six Women, 1965–66. Wood, paint, mirrors, shoes, formica, and plaster; 69 × 105 × 52 in. (175.3 × 266.7 × 132.1 cm). Collection Museum of Contemporary Art, Chicago, gift of the artist 1968.1. Photo: Nathan Keay, © MCA Chicago Art © Estate of Marisol Escobar/Licensed by VAGA, New York
Marisol (Marisol Escobar), Six Women, 1965–66. Wood, paint, mirrors, shoes, formica, and plaster; 69 × 105 × 52 in. (175.3 × 266.7 × 132.1 cm). Collection Museum of Contemporary Art, Chicago, gift of the artist 1968.1. Photo: Nathan Keay, © MCA Chicago Art © Estate of Marisol Escobar/Licensed by VAGA, New York
This would be the perfect group costume.
—CAITLIN, VISITOR SERVICES

Yinka Shonibare, Alien Obsessives, Mum, Dad and the Kids, 1998. Wax-printed cotton, plastic, and polyester fiberfill on plastic and metal armatures; overall dimensions variable. Collection Museum of Contemporary Art Chicago, restricted gift of Howard and Donna Stone, 1999.54.a–h. Photo © MCA Chicago
Yinka Shonibare, Alien Obsessives, Mum, Dad and the Kids, 1998. Wax-printed cotton, plastic, and polyester fiberfill on plastic and metal armatures; overall dimensions variable. Collection Museum of Contemporary Art Chicago, restricted gift of Howard and Donna Stone, 1999.54.a–h. Photo © MCA Chicago
I really like the patterns, colors, and their eyes.
—JANICE, SECURITY
Takashi Murakami, Wink Sculpture (pink), 2001
—JONNATHAN, SECURITY
Additional Suggestions
Albert Oehlen, Auch Einer (Another One), 1985
—GRAHAM, VISITOR SERVICES/BOX OFFICE
—SERENA, SECURITY
Olafur Eliasson, Convex/concave, 1995/2000
—MEGAN, VISITOR SERVICES
Cindy Sherman, Untitled #137, 1984
—ANONYMOUS, SECURITY

Maurizio Cattelan, Felix, 2001. Oil on polyvinyl resin and fiberglass; 26 x 6 x 20 ft. (7.9 x 1.8 x 6.1 m). Collection Museum of Contemporary Art Chicago, the Edlis/Neeson Art Acquisition Fund, 2001.22. © 2001 Maurizio Cattelan. Photo © MCA Chicago
Maurizio Cattelan, Felix, 2001. Oil on polyvinyl resin and fiberglass; 26 x 6 x 20 ft. (7.9 x 1.8 x 6.1 m). Collection Museum of Contemporary Art Chicago, the Edlis/Neeson Art Acquisition Fund, 2001.22. © 2001 Maurizio Cattelan. Photo © MCA Chicago
—FAN FAVORITE




