2 active filters: Painting
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- Long An abstract collaged painting of a creepy ginger-bread shaped person wearing elements of a uniform: a maroon sash, military pins, and epaulets. His hair is made of a fringe of an epaulet that frames a face with distorted features. Its right eye is round and bulging, white with a large black pupil; its left is a red iris and a white pupil outlined by green, with a brown raised nose and black horizontal strokes form a mouth with three small white teeth. The body is composed of many green, brown, and tan blotches that almost look like mold or moss. The background is maroon with golden floral decoration. The painting is in a distressed wood gold-and-brown-painted frame.
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- Long In this painting, a man wearing dress clothes—black pants, loafers, a white button-up and tie—sits on a swivel chair and pensively rests his chin on his hand while crossing his legs. He sits atop a structure that forms part of a multicolor compound resembling a sprawling miniature town. This town is composed of numerous open stairways, arches, courtyards, a smoke stack, and pillars, and it is characterized by multicolored surfaces (in red, orange, green, purple, and blue) and hard edges. Two tall structures bearing the portraits of two men loom over the self-contained environment. The man and the small world he contemplates reside in a dark landscape of green grass and night sky. A many ringed circle of different light blues interrupts the darkness to form a halo backdrop of the seated man's bust.
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- Long A human face, seen from the neck up, is centered against a white background surrounded by a thin black border. The head of the person is bald and rendered with a dark-mustard skin tone, with protruding ears, deep black eyes, and gestural eyebrows. A faint outline of a mouth is also noticeable. The white background is lightly textured in shades of white and cream.
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- Long This is a painting of a fair-skinned, middle-aged man standing against a brown background. His gaze is directed at the viewer. He is bald and has a mustache and a goatee. He wears a beige turtleneck and bright blue jeans. His right hand is obscured, resting in his pocket, while his left hand hangs in front of him. A bare leg is jutting out from the side of his hip, knee bent.
- Long A painting of a bald, mustachioed, middle-aged person standing against a solid dark terra-cotta background is rendered in loose brushstrokes. He wears a yellowish long sleeve shirt and blue jeans. While fully clothed, the man's bare left leg appears to jut out from the side of his hip, knee bent.
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- Long A beige, square canvas with a slender, dark wood frame. A large, dark orange circle nestled within three concentric rings occupies the bottom center of the painting. The innermost circle is a solid, yellow-orange, resembling the yolk of an egg. It is is uniformly encircled by a thin and white ring. The next ring is the largest; it is bright yellow and broad, almost the width of the center circle’s radius. It is an imperfect ring, with a small, rounded bite missing at the 11 o’clock position. A fourth ring, slightly darker beige than the canvas, appears faint and transparent; the effect is less a shadow than a secretion spreading from the paint. The circles are vivid and immediately draw your eye, but they show no illusion of depth, and the overall effect of the painting is very flat. As you look closer, you notice a tiny dot of bright yellow floating to the upper left of the circles, like a planet orbiting a many-ringed sun.