Short A black-and-white photograph of two men shaking hands is mounted to a light-colored piece of wood.
Long A black-and-white photograph with white borders is affixed to a small wood board with photo corners. The photo shows a scene in a supper club or restaurant. It features two fair-skinned, dark-haired men in suits standing, shaking hands. The man on the left holds a small box and the man on the right extends his left hand to receive it. In the foreground, two seated, light-skinned people with long dark glossy hair look up at the men from their table. The two men look directly at us. A date stamp reading "JAN 3 1968" appears in the bottom border of the photo. The ends of two knotted leather cords emerge above and below the photo on the left side of the wooden board, seemingly binding the board like a book cover. A signature reading "Edward Ruscha" appears on the board in blue ink below the image, and the initials "B.A.B." are signed and underlined in black on the wood above the mounted photograph.
Short A black-and-white photo of the Chicago skyline from the north shore of Lake Michigan is overlaid with rectangular color image fragments of the same view. The color images add and subtract people from the lakefront view.
Short In this grainy photograph, a light-skinned woman with long brown hair is seen in profile. She stands with her hands on her hips in front of shelves full of glassware and spices.
Short A white image, likely a book cover, reads "SEVEN PRODUCTS TWENTY-FIVE APARTMENTS THREE PALM TREES SIX ROOFTOPS AND ONE AERIAL VIEW." The bottom of the image reads "ED RUSCHA PHOTOGRAPHS."
Short A minimal painting has no visual elements other than the words "THIRTYFOUR PARKING LOTS" in orange lettering. Each word, spaced on its own line, spans the width of the canvas.
