Collection

Description

The MCA’s permanent collection includes more than 2,500 artworks that span media and movements from the 1920s to the present. Although not on permanent display, works from the collection appear regularly in our many rotating exhibitions. The entire collection, with images and descriptions, is presented here for the first time. Explore it by artist, title, or creation date. Images in this section are published for educational use under the umbrella of the Fair Use doctrine.

Artist last name index

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z

Title index

#
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z

Decade index

A primarily beige-looking canvas is actually composed of many small dots of light blues, pinks, oranges, and purples.

...Pindell has said, “in graduate school I remember that a woman artist would be criticized if she used pink. If a man used pink it was considered a mix of red and white… . When I noticed this, I started using the things that I was told not to use. Glitter. Pink. This was my way of resisting.”

More

Short A primarily beige-looking canvas is actually composed of many small dots of light blues, pinks, oranges, and purples.

Works on View

On viewMatthew Barney, DRAWING RESTRAINT 8: Les Bois, 2003
On viewKatinka Bock, Miles and Moments for Paris, 2011
Image not available
On viewScott Burton, Three-Quarter Cube Bench, 1986
On viewAlexander Calder, The Ghost (maquette), 1964
Image not available
On viewLiam Gillick, (The What If? Scenario) Report Platform, 1996
On viewJene Highstein, Floating World, 1986
1. Short Photograph of a person-sized rounded outdoor sculpture made of grey, textured stone
On viewChristian Holstad, in and out of a vault, 2005
On viewChristian Holstad, keeping head to the sky, 2005
On viewChristian Holstad, looky over yonder, 2005
On viewChristian Holstad, rolled back sleeves, 2005
On viewB. Ingrid Olson, Projection, Body Parsed, 2018
Image not available
On viewDan Peterman, Accessories to an Event (plaza), 1998
Image not available
On viewPope.L, Crying Painting, 2016
Image not available
On viewGala Porras-Kim, Mesoamerican Negative Space 7, 2018
Image not available
On viewGeorge Rickey, Two Lines Oblique, 1968
Image not available
On viewEva Schlegel, Untitled, 1989/1999
Image not available
On viewThomas Schütte, Ganz Grosse Geister (Big Spirits XL), 2004
1. Short Three yellow sculptures of abstract human figures stand as if communicating with each other outdoors in an urban setting.
2. Long Three yellow and white forms are installed on an outdoor terrace. The forms resemble human bodies, yet they have no faces. The heads of the forms are created from coiled, hard textured material and the bodies are similarly constructed of coiled material, arranged into torsos, arms and legs. The scale of the figures is about double the size of an average person and the are arranged about a half of a figure length apart from each other. The figure on the left appears to have its head tilted to the sky, while the center figure faces to the right, where the third figure bends lightly towards the ground, hand upraised. The bright color of the figures contrasts with urban scene in the background: behind the figures a black fence, green leafy trees and tall gray buildings are visible. The sky is bright blue and the bright light of mid-day casts sharp shadows below the figures.
On viewStan Shellabarger, Untitled (Walking Book 30, Museum of Contemporary Art, Chicago, IL), 2009
Image not available
On viewErin Shirreff, Sculpture for Snow, 2011
1. Short A matte black geometric sculpture juts out from the snowy ground. Two of its faces, one square and one triangular, are perfectly covered by a white layer of snow.
On viewMichelle Stuart, Turtle Pond, 1974
On viewTakis, Magnetic Mobile, c. 1964

Gloved hands review a 4x5 color transparency and a roll of 35mm black and white film over a light box with a viewing loupe.

To request images—including exhibition installation views and permanent collection works—or MCA-created text or media, fill out a media and image application.

Short Gloved hands review a 4x5 color transparency and a roll of 35mm black and white film over a light box with a viewing loupe.