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Homebodies

Images

Guy Ben Ner, Stealing Beauty, 2007. Single channel video (color, sound); 17 minutes, 40 seconds

Courtesy of the artist, Aspect Ratio, Chicago, and Konrad Fischer Galerie, Berlin

Dzine (Carlos Rolon), Imperial Nail Salon (my parents’ living room), 2011–13. Public intervention and performance. Nail artist: Ashley "AstroWifey" Crowe. Courtesy of the artist; Paul Kasmin Gallery, New York; and Salon 94, New York

Photo: Nathan Keay, © MCA Chicago

LaToya Ruby Frazier, Home Body Series: Wrapped In Gramps’ Blanket, In Grandma Ruby’s Velour Bottoms, In Gramps’ Pajamas, Covered In Gramps’ Blanket, 2010. Gelatin silver prints mounted on cardboard with wooden frame, edition of 5, aside from 1 artist's proof; prints, each: 20 x 24 in. (50.8 x 60.1 cm); framed, each: 24 1/2 x 28 1/2 in. (62 x 72.5 cm)

Courtesy of the artist and Galerie Michel Rein, Paris
A black-and-white photograph shows a pale-skinned person kneeling on a mirror placed on the floor with a towel covering part of the mirror. The top part of the person's body is in motion and is blurry.

Francesca Woodman, Providence, Rhode Island, 1975-1976, 1975/76. Gelatin silver print, edition 1 of 40; sheet: 8 x 10 in. (20.3 x 25.4 cm). Collection Museum of Contemporary Art Chicago, gift from The Howard and Donna Stone Collection, 2002.74. © 1975/76 Francesca Woodman

Photo: Nathan Keay, © MCA Chicago

Doug Aitken, HOUSE (i don’t know), 2011. Chromogenic development print in unfinished wood frame, edition 3 of 6, aside from 2 artist's proofs; print: 72 x 40 in. (182.9 x 101.6 cm); framed: 73 1/2 x 41 1/2 in. (186.7 x 105.4 cm)

© Doug Aitken, Courtesy of Doug Aitken; 303 Gallery, New York; Galerie Eva Presenhuber, Zürich; Victoria-Miro, London; and Regen Projects, Los Angeles

Francesca Woodman, From Angel Series, Roma, September, 1977, 1977. Gelatin silver print, edition 3 of 40; sheet: 8 x 10 in. (20.3 x 25.4 cm). Collection Museum of Contemporary Art Chicago, gift from The Howard and Donna Stone Collection, 2002.75. © 1977 Francesca Woodman

Photo: Nathan Keay, © MCA Chicago

Dzine (Carlos Rolon), Get Nailed at the New Museum, 2011. Public intervention and performance, The New Museum, New York, 2011

Photo: Chris Mosier, courtesy of the artist, Salon 94, New York, and Paul Kasmin, New York
An obstructed face peers at the viewer from under a canvas sheet with forks strewn about.

Francesca Woodman, It must be time for lunch now, New York, 1979, 1979. Gelatin silver print, edition 10 of 40; sheet: 8 x 10 in. (20.3 x 25.4 cm). Collection Museum of Contemporary Art Chicago, gift from The Howard and Donna Stone Collection, 2002.72. © 1979 Francesca Woodman

Photo: Nathan Keay, © MCA Chicago

About

Homebodies presents work by contemporary artists who examine the space of the home, both literally and metaphorically, as an integral site for making art. Featuring an expansive range of artworks, some made of materials found in the domestic sphere and others that represent or re-create a sense of domesticity, Homebodies demonstrates a new understanding of how the domestic context has influenced the creation and interpretation of contemporary art. The exhibition incorporates various media, including paintings by Hurvin Anderson; sculptures by George Segal and Rachel Whiteread; installations by Alexandre da Cunha and Do Ho Suh; photography by Marina Abramović, Barbara Kruger, Doug Aitken, and Adrian Piper; video by Martha Rosler, Rivane Neuenschwander, and Guy Ben-Ner; and a living-room environment by Dzine that doubles as a nail salon. The exhibition is likewise international in its reach, drawing from six continents to include more than 40 artists at various stages in their careers.

The domestic setting has been a crucial site (and recurring subject) of artistic production—a parallel track and occasionally a counterpoint to more commonly celebrated contexts such as the artist’s studio and the public sphere. In fact, many artists, for personal or financial reasons, work at home, and for those artists the home often becomes the subject and source of their artwork. Although this exhibition focuses on artists working from the late 1960s to the present, there are notable precedents in art history dating back as early modernism. Major artists in the 19th and early 20th centuries, including Vincent van Gogh and Henri Matisse, frequently depicted domestic interiors as sites of psychological reflection and a potent metaphor for social or historical concerns. Later, in the 1970s, the feminist movement exposed the home as a site of identity production and interrogation, putting pressure on the presumably male cliché of the heroic artist creating alone in his studio. In recent years, as commerce and communication have become increasingly globalized, artists have paradoxically turned inward, examining the idea of “home” in more localized contexts, recognizing it as an arena of social development and an indicator of economic trends, especially as more and more artists confront the recent crises in housing and urban development in their work.

The exhibition is organized in three sections. The first, Architectonics, includes works that represent interiors, use fragments of private homes, or are produced on a small scale, often using humble, domestic materials. The second section, Division ofLabor, presents artworks that replicate a “cottage industry” scale of production or refigure activities such as care and cleaning, and demonstrates the lasting impact of the feminist movement on artists of any gender expression. Finally, the third section, Psychogeographies, considers how private interiors can become a metaphor for interior mental spaces, oftentimes fraught with anxiety and upheaval.

This exhibition is organized by Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago.

Installation Images

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago

Dzine (Carlos Rolon), Imperial Nail Salon (my parents’ living room), 2011–13, Performance and installation, Overall dimensions variable, Installation view, Homebodies, MCA Chicago, Jun 29–Oct 13, 2013

Photo: Nathan Keay, © MCA Chicago Courtesy of the artist, Paul Kasmin Gallery, New York, and Salon 94, New York

Funding

Generous support for Homebodies is provided by Cari and Michael Sacks, and Paul and Linda Gotskind. MCA Chicago is a proud member of Museums in the Park and receives major support from the Chicago Park District.

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