Amalia Pica

About

Born in Argentina and based in London, artist Amalia Pica explores metaphor, communication, and civic participation through drawings, sculptures, large-scale photographic prints, slide projections, live performances, and installations. The MCA exhibition Amalia Pica is the artist’s first major solo museum show in the United States and includes approximately 15 of her most significant works from the last seven years, in addition to new commissions. Using simple materials such as photocopies, lightbulbs, drinking glasses, beer bottles, bunting, cardboard, and other found materials, Pica creates work that is formally beautiful and conceptually rigorous while addressing fundamental issues of communication—such as the acts of delivering and receiving messages (verbal or nonverbal) and the various forms these exchanges may take. She is particularly interested in the role of the artist in conveying messages to audiences and the translation of thought to action, idea to object. Her work is optimistic in its reflection of moments of shared experience, often incorporating signifiers of celebration and communal gatherings such as fiesta lights, flags and banners, confetti, and rainbows.

Having grown up in Argentina, Pica is attracted to the limits and failures of language and concerned with what it means to have a platform to speak out from. Her work raises questions about individual versus collective speech in the context of extreme political situations, such as those in 1970s Argentina or present-day Afghanistan, and demonstrates how open communication is a right in some regions of the world and a privilege in others.

In addition to new work, the exhibition will include Strangers, an in-gallery performance in which two people who have never met before hold a bunting between them for a specific duration.

This exhibition is co-organized by the Museum of Contemporary Art Chicago and MIT List Visual Arts Center. It is cocurated by Julie Rodrigues Widholm, Pamela Alper Associate Curator at MCA Chicago, and João Ribas, Curator at MIT List Visual Arts Center.

Installation Images

Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Outside, Inside and Across, 2006/12. Festoon light string; 382 ft. (100 m). Collection of Andrew Ong and George Robertson, New York. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Eavesdropping (version #2), 2011. Glasses and glue; overall dimensions variable. Collection of James Keith Brown and Eric Diefenbach, New York. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Eavesdropping (version #2), 2011. Glasses and glue; overall dimensions variable. Collection of James Keith Brown and Eric Diefenbach, New York. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Stabile (with confetti) #2, 2012. Paper and transparent adhesive tape; overall dimensions variable. Collection of Andrew Ong and George Robertson, New York. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Switchboard (pavilion), 2013. Wood, tin cans, screws, paint, glue, and string; 96 x 192 x 192 in. (243.8 x 487.7 x 487.7 cm). Courtesy of the artist and Marc Foxx Gallery, Los Angeles. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Switchboard (pavilion), 2013. Wood, tin cans, screws, paint, glue, and string; 96 x 192 x 192 in. (243.8 x 487.7 x 487.7 cm). Courtesy of the artist and Marc Foxx Gallery, Los Angeles. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Catachresis #9 (legs of the table, the neck of the bottle, the elbow of the pipe, the leg of the chair), 2011. Table legs, bottle, pipe, and chair leg; 51 1/4 x 12 x 9 1/2 in. (130 x 30.5 x 24 cm). Private collection, San Francisco. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago
The back portion of a slatted dinner chair has been fused with a garden hoe, forming an "x".

Amalia Pica, Catachresis #35 (legs of chair, teeth of the rake, eye of the potato, eye of the needle), 2013. Chair legs, rake, potato, and needle; 45 1/4 x 28 x 26 in. (115 x 71 x 66 cm). Courtesy of the artist. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Moon Golem, 2009. Spotlight, mirror, pedestal, framed photograph and ink-jet print on paper behind glass, edition 1 of 3, aside from 1 artist's proof; installed dimensions variable. Zabludowicz Collection. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Strangers, 2008. Performance with paper bunting; bunting: 32 13/16 ft. (10 m). Courtesy of the artist. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Amalia Pica, Endymion's Journey, 2011. Digital print on canvas, book, and ink on paper; digital print: 116 3/8 x 175 3/16 in. (295.6 x 445 cm), installed dimensions variable. Courtesy of the artist; Marc Foxx Gallery, Los Angeles; Herald St, London; and Johann König, Berlin. Installation view, Amalia Pica, MCA Chicago, Apr 27–Aug 11, 2013

Photo: Nathan Keay, © MCA Chicago

Funding

Support for Amalia Pica is generously provided by the Margot and W. George Greig Ascendant Artist Fund. Additional generous support is provided by the Chauncey and Marion D. McCormick Family Foundation; Mary Ittelson; Ashlee Jacob; Nancy Lauter McDougal and Alfred L. McDougal; Martin Modahl; James Keith Brown and Eric Diefenbach; Larry Mathews and Brian Saliman; Marc Foxx and Rodney Hill, Marc Foxx Gallery, Los Angeles; the Consulate General of Argentina in Chicago; Phillips; Galerie Diana Stigter, Amsterdam; and Herald St, London.

MCA Chicago is a proud member of Museums in the Park and receives major support from the Chicago Park District.

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