Michael Rakowitz: Backstroke of the West
Featured images
About
Based in Chicago, Iraqi-American artist Michael Rakowitz (b. 1973) makes work that explores recent contested social, political, and cultural histories. Drawing on personal experiences and research on these subjects, as well as history and popular culture, Rakowitz creates illustrated objects, installations, and performances that invite viewers to contemplate their complicit relationship to the political world around them, recognizing that hospitality and hostility are interlinked.
The artist's first-ever museum survey features early works, a new commission, and major installations, such as Enemy Kitchen
The title of the exhibition, Backstroke of the West, is a mistranslation of Revenge of the Sith, which was used for a Chinese bootleg version of the film and likely gleaned from a program such as Google Translate. The title speaks to Rakowitz's interest in translation as a means of traversing social and political boundaries as well as how popular culture can be used to access shared cultural narratives.
Collectively, this exhibition tells a story of restitution and reconstitution and positions Rakowitz as one of the most important artists of our time.
The exhibition is organized by Omar Kholeif, Manilow Senior Curator and Director of Global Initiatives at the Museum of Contemporary Art Chicago. It is presented in the Bergman Family Gallery on the museum’s second floor.
Enemy Kitchen
Michael Rakowitz, Enemies and Kitchens, 2012. Mixed media installation. Courtesy of the artist, Lombard Freid Projects, the Smart Museum of Art, and Rhona Hoffman Gallery
Photo: Michael Tropea, courtesy of the Smart Museum of Art and Rhona Hoffman GalleryMichael Rakowitz's Enemy Kitchen explores the connections between hostility and hospitality as veterans of the Iraq War serve Iraqi recipes to the public through a retrofitted food truck on the plaza.
Installation Images
Installation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018. Work shown: Michael Rakowitz, What Dust Will Rise?, 2012. Bamiyan travertine, glass, vitrines, bullets, shrapnel, meteorites, Libyan desert glass, trinitite, fragments of the destroyed Buddhas of Bamiyan, and books burned during the Second World War; overall dimensions variable. Courtesy of Michael Rakowitz, Jane Lombard Gallery, Helyn Goldenberg & Michael Alper, Jane Lombard, Beth Rudin DeWoody, Rhona Hoffman, and Renée & Jude Waxman-Rakowitz
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018. Work shown: Michael Rakowitz, What Dust Will Rise?, 2012. Bamiyan travertine, glass, vitrines, bullets, shrapnel, meteorites, Libyan desert glass, trinitite, fragments of the destroyed Buddhas of Bamiyan, and books burned during the Second World War; overall dimensions variable. Courtesy of Michael Rakowitz, Jane Lombard Gallery, Helyn Goldenberg & Michael Alper, Jane Lombard, Beth Rudin DeWoody, Rhona Hoffman, and Renée & Jude Waxman-Rakowitz
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018. Work shown: Michael Rakowitz, The invisible enemy should not exist, 2007–ongoing. Mixed-media installation; overall dimensions variable. Courtesy of the artist; Rhona Hoffman Gallery, Chicago; Jane Lombard Gallery, New York; Barbara Wein Gallery, Berlin; Jack and Sandra Guthman; Lynn Hauser and Neil Ross; Jane Lombard; and private collection
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018. Work shown: Michael Rakowitz, The worst condition is to pass under a sword which is not one’s own, 2009. Mixed-media installation; overall dimensions variable. Courtesy of the artist; Jane Lombard Gallery, New York; and Princeton University Art Museum
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018
Photo: Nathan Keay © MCA ChicagoInstallation view, Michael Rakowitz: Backstroke of the West, MCA Chicago, Sep 16, 2017–Mar 4, 2018
Photo: Nathan Keay © MCA ChicagoGallery Takeaways and Downloads
Funding
Lead support for Michael Rakowitz: Backstroke of the West is provided by the Harris Family Foundation in memory of Bette and Neison Harris: Caryn and King Harris, Katherine Harris, Toni and Ron Paul, Pam and Joe Szokol, Linda and Bill Friend, and Stephanie and John Harris; the Margot and W. George Greig Ascendant Artist Fund; R. H. Defares; Helen and Sam Zell; Anne L. Kaplan; and Cari and Michael Sacks.
Major support provided by Nancy and Steve Crown, Kovler Family Foundation, and Elissa Efroymson and Adnaan Hamid.
Generous support is provided by the Joyce Foundation, the Shulamit Nazarian Foundation, Jack and Sandra Guthman, The Fine Foundation, Helyn D. Goldenberg and Michael Alper, The Malkin Family, Paul Gray and Dedrea Armour Gray and Richard Gray Gallery, Vicki and Bill Hood, Melissa Weber and Jay Dandy, Lisa Yun Lee, Rhona Hoffman Gallery, Barjeel Art Foundation, Jane Lombard Gallery, Sotheby’s, and Lynn Hauser and Neil Ross.