Short A person dressed in a protective suit and hard hat stands at the top of a ladder leaning over a large tripod machine with a pile of a black substance underneath. Every object in the scene, apart from the black sludge, is a vivid reddish orange.
Short Video still of a person wearing a red protective gear, leaning over a railing, and holding a long red pole with both hands as though stirring something off camera
Short A person dressed in a protective suit and hard hat climbs the ladder of a large tripod machine with a pyramid of lumpy sacks nearby. Every object in the scene is a vivid reddish orange.
Short A smiling caucasian man with blonde hair and green eyes wearing a black button-down rests his elbows on a mirror that reflects the upper half of his body and an emerald green background.
Short A tall rectangle is divided into four vertical panels made with the same thick black lines that frame it. Each panel is filled with six to ten colored stripes that run, from top to bottom panels, vertically, horizontally, diagonally slanting up and right, diagonally slanting down and right.
Short A wide white canvas has nothing on it except the phrase "OPEN GEOMETRIC STRUCTURES" above the text "SOL LEWITT 1979," both printed in black text.
Short An interior wall of a building is painted in three colored sections. From left to right, a red section contains a square, a yellow section contains a circle, and a blue section contains a triangle.
Short An irregular zigzagging grid of thick silver brushstrokes overlaps three broad planes of color, vertically stacked from top to bottom: light pink-purple, tangerine orange, and teal.
Short On a white rectangle are two grids of solid yellow dots. One grid fills the right half the picture. The other grid forms a T-shape and has a square of four hollow circles to its left.
Short Fourteen rows of tightly packed bright yellow circles fill a white rectangular background. The rows are horizontal at the bottom and slant upwards slightly further up the page.
Short A photograph depicts a table covered in a white tablecloth that is stained with a pastel pink color. The table holds clear glassware and a delicate white cake.
Short Photorealistic painted still life of a white table with a silver fork, a near-empty glass of juice, half a lime, and a white spoon and a fruit peel resting on a small plate
Short A framed text, black on white, reads "I feel most colored when I am thrown against a sharp white background". This phrase is repeated and gradually becomes distorted until illegible at the bottom.
Long A body of black text is printed on a white rectangle with even borders of white space on all four sides. The text reads "I feel most colored when I am thrown against a sharp white background," repeated without punctuation or line breaks to separate the repetitions. The text is printed in a stenciled font with gritty smudges that become more and more prominent as the text continues, eventually blending with the text at the bottom of the image, rendering it almost illegible. It has a narrow black frame.
Short Black stenciled text that reads "WE ARE THE INK THAT GIVES THE WHITE PAGE A MEANING" repeats for twenty-nine lines, gradually becoming distorted until it's almost illegible at the bottom.
Short A colorful painting of a blindfolded man standing in profile in front of a black background and between two solid planes with colorful zigzagging edges. He is missing the top of his head and his arm, and he wears a short-sleeve outfit with an opening at the stomach, from which a bear-like snout protrudes.
Short In this framed rectangular painting, a translucent portrait of a person covers an aerial view of a wooded landscape with small cars and a building. The person's facial features are actually inanimate objects: a green glass bottle for the nose, a pink toilet for an ear, an open washing machine for an eye, and so on.
