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Exhibitions on view

  • Thirteen colorless glass bottles and two green bottles, each a different shape and size and without a label, stand in a cluster in front of a white wall.
    The Commons Artist Project:
    Edra Soto: Open 24 Hours
  • An architectural arched gateway is shown, installed within a modern gallery space. The arch is made from bricks in a range of different blues with golden yellow accents and decorated with stylized animals.
    Michael Rakowitz: Backstroke of the West
  • Three pairs of shoes sit below three raised black boxes that support six wooden heads. The closest head is hollowed out, others have light-skinned faces emerging from the wood, but the third has a long pointed beak-like form.
    We Are Here
  • A gigantic cat skeleton stands in the center of a large atrium with its back arched and its tail pointed straight up in the air.
    Felix
    1. Long A cat skeleton stands two-stories-tall and ready to pounce, with its spine arched, tailbone on end, and fanged mouth hanging open. It is poised on all fours in the middle of a dimly lit, blue-tinged large gallery space and its white form is dramatically illuminated as if caught in the night.
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Projected on the wall of a dark room is the image of two monitors, one playing a boxing match, the other showing multiple bars of sound waves.
    MCA Screen:
    Paul Pfeiffer
  • Five glowing white orbs seem to float above branches against a deep blue background.
    Chicago Works:
    Paul Heyer
    1. Long In this vertical painting, the background consists of a rich, saturated blue mottled with areas of both lighter and darker blue. Extending vertically across the background are three thin, dark brown branches. From these branches sprout small leaves of various reds, blues, pinks, and purples. The branches also bear three ghostly, translucent apples distinguished from the background only by white outlines. The most dominant element of the painting are five large white orbs, each with a faintly translucent white glow. Three of the orbs are aligned vertically on the left half of the painting, while the other two are arranged vertically starting at the upper-right hand corner. This leaves the background of the bottom right corner fully exposed.
  • White icicle-like formations layered above plumes of blue smoke fill two side-by-side panels.
    Atrium Project:
    Lorna Simpson
  • A glowing white sphere casts shadows on a white wall.
    Endless Summer
    1. Long A four-pointed, mandala-like set of pale grey shadows surround a glowing slightly warm-hued sphere on a white wall framed at the bottom by a gray floor.
  • Small white circles connected by thin wire balance opposite a thicker orange wire weighted by an orange rudder-like shape hanging from the edge of a white table.
    Heaven and Earth: Alexander Calder and Jeff Koons