The photographic work of Rashid Johnson incorporates a range of topics from the socio-political implications of homelessness to the African diaspora and the history of the antebellum South. Using chicken bones and black-eyed peas as well as various body parts-toes, elbows, feet-in abstract compositions, his photographs evoke travel and movement across time and history. Johnson uses the laborious nineteenth-century Van Dyke printing process, reinforcing his continual interest in challenging the medium of photography. He is a graduate of the Photography department of Columbia College, Chicago.
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